Anne carson poet biography projects
Archived from the original on 15 June Stanford: Event Calendar. Stanford University. Archived from the original on 20 January The Classical Association. In Canfield Reisman, Rosemary M. Pasadena, California: Salem Press. Archived from the original on 17 May Short Talks. London, Ontario: Brick Books Classics. The Iowa Review. The New York Times.
Archived from the original on 11 October Retrieved 8 October It is always difficult, of course, to gauge how much is autobiographical in a writer's material, and Carson is trickier than most in this regard, but 'Husband' strikes me as being the least cloaked about its origins in lived life. Brick: A Literary Journal 89 : 29— Archived from the original on 8 September Retrieved 23 July Decreation: Poetry, Essays, Opera.
New York: Vintage Books. The Irish Times. Archived from the original on 24 July Retrieved 10 October Archived from the original on 14 October Retrieved 7 October London Review of Books. Los Angeles Times. The London Hellenic Prize. Archived from the original on 30 December Azure Scratchings. Archived from the original on 25 July Aristegui Noticias in Spanish.
Archived from the original on 1 March Archived from the original on 22 October The Academy of American Poets. Eliot poetry prize shortlist announced". BBC News. Archived from the original on 12 November The Folio Prize. Archived from the original on 2 March Retrieved 13 February Archived from the original on 16 October Cove Park.
The Watermill Center. Archived from the original on 18 May Anne Carson". American Academy of Arts and Sciences. Archived from the original on 17 November American Academy of Arts and Letters. Archived from the original on 18 August Eros the Bittersweet: An Essay. Princeton: Princeton University Press. London, Ontario: Brick Books. Glass, Irony, and God.
New York: New Directions. Plainwater: Essays and Poetry. New York: Alfred A. Autobiography of Red: A Novel in Verse. Men in the Off Hours. Antigonick Sophokles. Nay Rather. The Albertine Workout. Norma Jeane Baker of Troy. H of H Playbook. Wrong Norma. If Not, Winter: Fragments of Sappho. She has received the prestigious Griffin Poetry Prize, the T.
Eliot Prize, and the Order of Canada. Her work has been translated into numerous languages, including French, Spanish, and Italian. Carson's writings have inspired various multimedia adaptations. Her book "Decreation," which explores the life of medieval nun Margery Kempe, became the basis for a ballet by William Forsythe. Her poetry collection Float comes in a clear box full of loose pamphlets whose contents range from lectures to poems to performance pieces, in a flotsam and jetsam approach to poetic assemblage.
The enigmatic Autobiography of Red: A Novel in Verse is practically conservative in comparison, though a close reading of even these seven words unleashes a barrage of questions and contradictions. What is a novel in verse? It was shortlisted for the T. Eliot Prize for Poetry in — and her highly acclaimed Nox , a replication of a collage-like notebook in memory of her deceased brother Michael, which resulted in a flurry of reviews and critical writings.
Recurrent themes in these works include unrequited love, grief, spirituality, madness, and representation. When we look at more recent works, Float consists of twenty-two individually bound chapbooks contained in a plastic slipcase, The Trojan Women is a comic book created in collaboration with Rosanna Bruno, and H of H Playbook is conceived as a facsimile of a personal scrapbook in the vein of Nox.
Carson is known to play with the boundaries of fiction and non-fiction in her writings and is adept in the genre of fictional auto biography. Carson is renowned for her use of juxtaposition to confront disparate elements: she does not only freely experiment with genres and visual forms, but also with myths, languages including English, Ancient Greek, Latin, and occasionally French , and conventional thought.
Anne carson poet biography projects
She is celebrated and criticised for her continuous interrogation of genre classifications: her genre-defying work often straddles visual poetry, essay, and translation. This technique is most prominent in her startling adaptations of classical myths see Jansen , such as the conflation of Helen of Troy and Marilyn Monroe born Norma Jeane Mortenson in Norma Jeane Baker of Troy , but is also present in her highly allusive work at large.
Her work shares several characteristics with that of these authors: her playful use of language that sometimes borders on the nonsensical; her emphasis on mediation and representation; and detailed attention to strong female characters. She has consequently been accused of name-dropping, since her referencing of and engagement with sources is sometimes considered flippant.
The most stringent criticism has come from the Montreal-based Jubilate Circle of poets and in particular from David Solway. She has claimed to have multiple desks in her office for academic writing, creative writing, and drawing Aitken , Elkamel , yet her position on whether there is a need to separate the academic from the artistic remains ambiguous, as she has also said not to consider her literary and academic writing to be fundamentally different Streckfus She often combines free-roaming explorations in which she moves from one idea to the next in a surprising network of references with sustained attention to affective themes like heartbreak or desire.
This emphasis on both intellect and feeling is a recurrent element in praise of her work. A final area of interest worth discussing is her liberal approach to translation and adaptation. However, Carson is not a Conceptual poet in the strict interpretation of the term as she does not refute individual expression or the authority of the writer cf.