Rein vollenga biography sample

Why are you interested in these issues? Islamic Project is dedicated not only to Western fears of Islam, but rather to a visualization of mutual paranoia — both of the West and of Islamic fundamentalists. It is epitome for top design and innovation. Your work is unsettling, almost surreal and the audience is instantly immersed into this universe.

We find that your works are powerful and question the notion of beauty, since feathers are both plain beautiful as well as enchanting. How was your art looked at in the beginning and how was it received on the art scene? Before I started working with feathers I was also interested in bone, hair and other natural materials. My installation, Brood, which was made from 20, chicken wishbones, was bought by Charles Saatchi during my degree show.

It was the work that really launched my career and confirmed my interest in beauty and brutality, the binary forces that exist within nature. How are they linked, where does it start from and where are you taking it? The trilogy idea has emerged from years of process. Possesia started first, with initial ideas and sketches dating to For years I visited flea markets to collect curious antique objects and photographs that transported me to the time they had witnessed.

You said in an interview that some of your works are semi-autobiographical. Can you explain what about them is so and give us some examples? For example, I draw more birds and plants in spring. I draw more skull and bones when things are coming to an end or dying. Your works have a specific unity. They are easily recognizable. Even expressing myself in different media the same visual language comes to the surface every time.

The way I create reflects my imagination and how I see the world. You said that the animals present in your works come from different mythologies and religions. Can you explain where they come from and why you are interested in these issues? So you can see how all these personal tastes influence and shape my illustrations and paintings. This is the first interactive multimedia art project of artists Marilena Oprescu Singer Saint Machine and The art of inserting a new building into an historic city block means engaging in an Oktober — Uhr Cities boiling with artistic events.

Farhad Moshiri at Galerie Perrotin. Exotica at Collectors Room Berlin. Wunderkammern, or cabinets of curiosities, were first established in the Renaissance and Baroque. Chris Johanson at Galleri Nicolai Wallner. Galleri Nicolai Wallner is pleased to present a solo exhibition of new works by Chris Johanson. Focusing on the city of Los Yayoi Kusama Pumpkins at Victoria Miro.

Victoria Miro is delighted to present a new body of sculptures and paintings by Japanese artist Yayoi Kusama dedicated to her iconic The Xx Barcelona Manga Fair. Gabriel Orozco at Marian Goodman. The new works maintain an elegant balance between geometry and the On display at Christopher Williams at Moma. Robin Rhode at Lehmann Maupin.

Erwin Blumenfeld at 10 Corso Como. The stormtroopers, in the epic Star Wars films, were a collective of military personnel. They carried out Imperialist duties, prescribed by the Artists, take your chance! Is that a conscious choice? I create my objects as an extension of the human body. You once said that you make a piece almost every day.

Is this still the case and how do you keep up? Yes I still do. I work on several projects a day. It might sound obsessive but it all comes natural to me. Any future dreams? I would love to create stage designs and costumes for opera, ballet or contemporary dance in the future. I think I represent a new wave of creators. On paper I studied design…..

Highly experienced shoe professional, Peter Popps, recently released his own amazing line of shoes. An interview….. Originally, Paul Boudens wanted to become a fashion designer when he first set foot in Antwerp. He walks the streets of London with his….. Well, I have to go to the supermarket….. In between art and fashion, she transforms scrap metal into wearable…..

Rein Vollenga door Fleur Pierets jun 25, Fashion. Rein Vollenga Text JF. This article is featured in Et Alors? Magazine Read the complete issue here. Related articles. You explore gender issues through your project Existing in Costumes. Why are you interested in that? You were the youngest dancer hired at Merce Cunningham Company. Which are the first memories of this experience?

How was it like to work there? I would like to share an unusual perspective on this. Normally, I do not answer or consider questions about Merce Cunningham, as this has very little to do at all with the work I create: but upon deep reflection, I'd like to share that he and I had in something in common. We shared a quite total, uncompromising devotion to choreography.

Read more Walter van Beirendonck: Couture should push forward the boundaries of fashion. When we look at your art, we realize that there is a constant through your work and that is energy. Where does that come from? I hope and I think that the energy comes directly from me. With every collection extremely excited to do new experiments, tell a new story, make a new statement and to present interesting collections I can be proud of.

And good energy is part of that creation, showing and presentation to my clients. Li Hongbo: There is a Chinese saying, life is as fragile as paper, which has left a deep impact on me. You have managed to question the realism of sculptures through the flexibility of the paper. What do you see as the strengths of your chosen material, visually and conceptually?

At the beginning, I discovered the flexible nature of paper through Chinese paper toys and lanterns. I used this principle to make a gun. A gun is solid, used for killing, but I turned it into a tool for play, or decoration. In this way, it lost both the form of a gun and the culture inherent to the gun. It became a game.

Rein vollenga biography sample

What is interesting about your practice is the fact that this cold medium, which is media, becomes so warm and familiar. How do you get to do that? The concept is the crucial part and with our work that concept is often completed by the people and their physical participation. We know that was an important year for you, since your work became known on an international level.

Through Islamic Project you stressed the fears western cultures have towards Islamists. Why are you interested in these issues? Islamic Project is dedicated not only to Western fears of Islam, but rather to a visualization of mutual paranoia — both of the West and of Islamic fundamentalists. It is epitome for top design and innovation. Your work is unsettling, almost surreal and the audience is instantly immersed into this universe.

You said in an interview that some of your works are semi-autobiographical. Can you explain what about them is so and give us some examples? For example, I draw more birds and plants in spring. I draw more skull and bones when things are coming to an end or dying. You said that the animals present in your works come from different mythologies and religions.

Can you explain where they come from and why you are interested in these issues? So you can see how all these personal tastes influence and shape my illustrations and paintings. This is the first interactive multimedia art project of artists Marilena Oprescu Singer Saint Machine and The art of inserting a new building into an historic city block means engaging in an Oktober — Uhr Cities boiling with artistic events.